Igor Mitoraj

  • 1

    Igor Mitoraj (1944 - 2014)

    “Elegie pour Rome” 

    1987
    Bronze and marble. Unique
    118 x 157.5 x 13.75 inches
    300 x 400 x 35 cm
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    Igor Mitoraj (1944 - 2014)

    “Tete Endormie”

    1984
    Carrara marble. Unique
    51 x 39 x 32 inches
    130 x 100 x 80 cm

Igor Mitoraj

Igor MitorajSculptor born in 1944 in Oederan, Germany from a polish mother and a french father. He studied painting at the Kraków School of Art and at the Kraków Academy of Art under Tadeusz Kantor. After graduating, he had several joint exhibitions, and held his first solo exhibition in 1967 at the Krzysztofory Gallery in Poland. In 1968, he moved to Paris to continue his studies at the National School of Art.

Shortly afterwards, he became fascinated by Latin American art and culture, spending a year painting and travelling around Mexico. The experience led him to take up sculpture. He returned to Paris in 1974 and two years later he held another major solo exhibition at the Gallery La Hune, including some sculptural work. The success of the show persuaded him that he was first and foremost a sculptor.

Having previously worked with terracotta and bronze, a trip to Carrara, Italy, in 1979 turned him to using marble as his primary medium and in 1983 he set up a studio in Pietrasanta. In 2006, he created the new bronze doors and a statue of John the Baptist for the basilica of Santa Maria degli Angeli in Rome.

Mitoraj's sculptural style is rooted in the classical tradition with its focus on the well modeled torso. However, Mitoraj introduces a post-modern twist with ostentatiously truncated limbs, emphasizing the damage sustained by most genuine classical sculptures.

The main theme of Mitoraj’s works is the human body, its beauty and fragility. His work is part of a resolutely postmodernism. Inspired by the antique statuary, and in particular its ideal proportions. The artist want however to reveal nature and human imperfection. His sculptures are deliberately injured or scratched and even found nailed to the ground.

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